Tuesday, November 24, 2020

To Right A Wrong

 



The newest Justinia Wright mystery, To Right A Wrong, number 8 in the series, is formatted and waiting on Amazon’s approval, and, barring any problems, will be available to the public on Cyber Monday.


This traditional whodunit murder mystery sees Tina (Justinia) and Harry trying to gather the necessary evidence to overturn a wrongful conviction, and put the right person behind bars.


To Right A Wrong is about justice. About justice having been sacrificed to get a conviction, and about justice restored so that crime does not pay.


Tina’s lawyer, Harold Feingold, wants to reopen a case even though the evidence is very slim that indicates there was a miscarriage of justice. He comes to Tina seeking her help, and Tina accepts the challenge.


A murdered uncle. Four nephews vying for the inheritance. One fingered by the others for the murder. But what about the servants? Could it be that, in this case, the butler really did do it?


This is a murder mystery that will have you scratching your head with Harry, or arranging puzzle pieces with Tina.


Along the way, there is wise-cracking humor, sibling rivalry, good food and wine, enough action to keep things interesting, and plenty of exercise for those little gray cells.


Stay tuned, so you can experience a little goodwill towards people this holiday season.


Comments are always welcome! And until next time, happy reading!

Tuesday, November 17, 2020

Six Years


The Cover for Justinia Wright #8

Six years ago this month, November 2014, I self-published 4 books: The Morning Star, Festival of Death, The Moscow Affair, and Do One Thing for Me.


I set sail on the sea of the independent author-publisher, and I have not looked back.


Being an indie is tough — because I, the author, am also the publisher and have to do all the business and marketing end of things, as well as write the stories.


Nevertheless, I would rather sell my soul than become a slave to a publishing house — large or small. I love the freedom of being my own man. And IMO, freedom is what it’s all about.


During these past six years, I’ve seen indie authors come and go. I’ve seen indie authors start with nothing and become bestsellers. And those folks give me hope: if they can do it, so can I.


Over the past 6 years, I’ve published 3 series totaling  22 books; and 7 miscellaneous novels, novellas, and short stories. I’ve had 2 short stories and an article appear in anthologies, and a short story published in an zine.


In addition to the above, I publish a weekly blog and occasionally write exclusive stories for my mailing lists.


For me, writing and publishing is a full-time job, and it’s the best job I’ve had in my nearly 7 decades on this planet. I can’t imagine doing anything else with my life from this point forward.


And if all goes well, I’ll get to celebrate year 6 with the publication of To Right a Wrong; the eighth book in the Justinia Wright Private Investigator series. 


And I can’t think of a better way to celebrate, because Tina and Harry are my favorite children. I love writing the wise-cracking humor, the sibling rivalry, the thrilling chase scenes and shootouts, the commentary on life in the Minneapple, and the hunger-producing meal descriptions.


So raise a glass of your favorite libation with me in celebration of living life your way and living your dream.


Comments are always welcome! And until next time, happy reading!  

(You can find all of my books at Amazon!)

Monday, November 9, 2020

A New Justinia Wright

 





Coming out in time for Cyber Monday (Lord willing, and the creek don’t rise) will be a brand new Justinia Wright murder mystery. Number 8 in the series.


If you’re on my mailing list, you’ll get early access — and a cheaper price. You can sign up for my mailing list at this link.


So what’s the new Justinia Wright mystery all about? Murder, of course. But it’s also about righting a wrong.


Seeing justice done is a big driver for Tina. After all, it’s in her name. What’s fair is fair and she doesn’t like it when someone is not fair and somebody gets hurt or killed.


In a way, she wants to put an end to all the playground bullies she comes across.


So stay tuned. More on this new mystery is coming! And you can catch up with the series on my Amazon page.

Tuesday, November 3, 2020

Fiction Formula Roadmap

 



There are many ways to write a novel or a short story. And most of those methods don’t work for most writers. In other words, writers are unique and will find their way to write their stories.


In the end, the method doesn’t much matter as long as the writer produces a good story.


Nevertheless, some writers struggle with how to write fiction. So, for what it’s worth, here is my method.


Before I begin, I want to give credit where it’s due. My writing method has been heavily influenced by Lester Dent’s Fiction Formula and James Scott Bell’s “Look in the Mirror” Moment.


Let me explain each of these influences.


Lester Dent’s Fiction Formula


Lester Dent was a pulp-fiction writer and the creator of Doc Savage. He once wrote that he’d never failed to sell a story that followed his fiction formula, which is pretty simple. In fact, it’s so simple it’s been ripped off by the unscrupulous and sold to wannabe writers for big bucks. Which is quite sad, as the formula is all over the internet for free.


Karen Woodward has an in-depth series on it on her blog.


The formula begins with the writer making four decisions:


  1. A different murder method for the villain to use
  2. A different thing for the villain to be seeking
  3. A different locale
  4. A menace which is to hang like a cloud over the hero


Now you don’t need all 4 different things. One is sufficient — but the more, the merrier, as they say. The point being to come up with something that hasn’t been done to death.


Just remember: make it different, but not too bizarre. Fiction has to be believable. Real life doesn’t.


Now divide your story into four quarters. Dent applied his formula to 6000 word short stories. However, I’ve found it works for any length of fiction.


In Part 1,


  • You introduce all the characters
  • The hero accepts the case, the challenge, whatever
  • Near the end of part one, the hero gets into physical conflict
  • Throw a twist into the story at the end


In Part 2,


  • Pile more grief onto the hero
  • Have the hero struggle
  • Put in another physical conflict
  • And another twist to the story


The menace should be growing like a fast-moving storm front.


In Part 3,


  • Pile more grief onto the hero
  • But now the hero begins to make progress towards solving the problem
  • Have another physical conflict
  • Add a surprise twist that makes things look bad for the hero


In Part 4,


  • More grief is piled onto the hero
  • Things are beginning to look impossible for the hero
  • However, the hero by his own brains, skill, and brawn is able to get out of the difficulties
  • The hero wraps up all the problems
  • Try to have one final twist to the story


As you can see, the writer is to pile all kinds of trouble onto the hero and in the end the hero solves all the problems by himself.


James Scott Bell’s “Look in the Mirror” Moment


Bell made a study of movies and novels. What he found was that in the middle of the story there was a moment that pulled together the entire tale. He calls that moment the “Look in the Mirror” moment.


It is the point in the story where the main character, our hero, looks at himself and asks what kind of a person he is (character-driven story) or can he turn the odds to his favor and overcome the seemingly overwhelming odds against him (plot-driven story)?


Of course, both aspects may be involved. The point, though, is that the character — at the midpoint — is so low he needs to have a come-to-Jesus meeting with himself in order to go on.


Putting Them Together


Dent and Bell have been influential in how I approach writing a story. They’ve taken the “mystery” out of putting a story together.


I start with Dent’s Formula. It is my working guide. Now, being a pantser, I write very little if anything down. Like H. Bedford-Jones, the King of the Pulps, I just start writing. But in the back of my mind is Dent’s Formula.


Between Acts II and III of the four act drama, I put the Look In The Mirror Moment.


I beat up the main character in Acts I and II, slowly bring him back in Act III, with the final battle and triumph taking place in Act IV.


Following Dent and Bell has made my writing life easy-peasy.


And perhaps they’ll simplify storytelling for you, too. And I didn’t charge you one red cent for this advice. :)


Comments are always welcome! And until next time, happy reading and writing!