Showing posts with label nuclear disaster. Show all posts
Showing posts with label nuclear disaster. Show all posts

Tuesday, May 17, 2016

Cozy Catastrophe Review: Earth Abides

earth_abides_1971b


The cozy catastrophe can have no better representative than George R Stewart’s Earth Abides. To the modern reader who is expecting a thrilling nail biter of a novel, oozing zombies at every turn, this is not the book for you.

However, if you are looking for a thought-provoking story of a person, a story of a person’s life, a story about a real person who is not always likable and yet has a vision that rallies people around him, a story of hope and inspiration — than this book is your cup of tea.

Earth Abides is about Isherwood Williams and his life after he survives a rattlesnake bite and a deadly pandemic that wipes out most of the world’s population. While the world of the ‘40s, ‘50s, and into the ‘60s quaked in its boots worrying over a nuclear holocaust, Stewart showed us there are other things about which we need to be concerned. Primary of which is our lack of concern about our impact on the natural world and its counter-impact on us.

When Ish, as he is called, comes down out of the mountains where he has been hiking and discovers the world as he knew it had died in a matter of weeks, we see a person befuddled by the enormity of the tragedy and yet one who as a result develops the resolve to not let knowledge die. He gets a car and drives from his home in California to New York City and then back to California, taking in a grand tour of the devastated country.

What Ish learns is that people don’t know how to survive for the most part and secondly, they never knew what to live for. What really matters in life. Earth Abides is in part philosophy masquerading as a novel. The questions Ish asks himself and what he eventually demands of the group that collects around him are important questions we should all ask ourselves before disaster strikes us.

Ish discovers that the world of businessmen and middle-class values does not prepare one for the real stuff of life. Stewart contrasts a southern African-American family with a Euro-American couple in New York City.

The poor blacks know more of life than the prosperous whites. The African-Americans set about to create a family of survivors: a man, a woman, and a young boy. Ish finds the woman pregnant. They have collected some farm animals and planted a garden. They make Ish realize that is what he needs to do rather than simply scavenge the detritus of the dead world.

The white couple in New York, by contrast, have no children, drink booze all day, play cards, read mysteries, and eat their meals out of tin cans, sometimes to Chateau Margaux. They have not given one thought as to what will happen when winter comes. Ish likes them for they are not despondent over what happened, but he realizes they will not survive because they don’t know how to and aren’t capable of thinking beyond their urban middle-class box.

George R Stewart wrote Earth Abides in the 1940s, it was published in 1949. His language is a bit dated by our politically correct standards and his science is also. But Stewart’s vision of hope is timeless. He was a professor of English at UC Berkeley. He was educated at Princeton, Berkeley, and Columbia. Dr Stewart was something of a polymath and unfortunately is virtually forgotten today. He wrote widely on a great array of subjects.

Stewart’s vision of a possible future for the human race is an interesting one. In a time when blacks were largely ignored by the greater society, Stewart shows them to hold the future in their hands. They know how to survive. Ish, whose name is symbolic, Ish meaning man in Hebrew, and is white marries a woman, Emma, who is at least partly African-American. That in an era in which miscegenation was very much taboo. Emma’s name is also symbolic for it means whole or universal. Ish calls her “the Mother of Nations”.

The style of writing is a partial throw back to the Victorian third person omniscient, which I find to put a certain distance between the reader and the story. For the story is told to me by an all-knowing narrator. Earth Abides is somewhat in this style and therefore creates a certain distance between reader and story. If one can overlook the manner of the telling, then one will find the classic that this novel truly is.

The detractors of the cozy, and I’m primarily pointing a finger at Brian Aldiss and Jo Walton and those websites that repeat their criticisms, have so narrowly defined what the cozy is, as though it is solely a British thing, they have turned off readers to a truly great treasure trove of fiction that can stimulate the best in us in the here and now. Earth Abides busts wide open what very much appears to be the self-loathing of Aldiss and Walton. Their own dislike of their own middle-class existence.

In Earth Abides, we see a college student collect together a band of largely working class people and craftsmen. He draws inspiration from a class and race that was marginalized in his day and age. The main character breaks the old taboos in his quest for a better society, but realizes he can’t do it alone. Earth Abides is not a tale filled with thrills and spills. It is one filled with ideas and filled with hope for a better world. Something we all want. It is the classic cozy catastrophe.

Comments are always welcome! Until next time, happy reading!

Tuesday, April 5, 2016

The Apocalypse and After

September 2000, Muslyumovo, 40 km from the Mayak nuclear complex, Ural mountains, Russia: Former main street in Muslyumovo, near the Techa River, which has been severely contaminated with radioactive waste. © 2000 - Greenpeace/Robert Knoth GREENPEACE HANDOUT-NO RESALE-NO ARCHIVE
September 2000, Muslyumovo, 40 km from the Mayak nuclear complex, Ural mountains, Russia: Former main street in Muslyumovo, near the Techa River, which has been severely contaminated with radioactive waste.
© 2000 - Greenpeace/Robert Knoth
This was one of the worst nuclear disasters in history, occuring in 1957, and the region around the Mayak plant is still the most polluted on the planet today.

The Apocalypse and After

The Conspiracy Game (Justinia Wright, PI #4) is available on a pre-publication sale this week only for 99¢. That makes for 7 Justinia Wright mysteries I’ve published. Three novels, a collection of 3 novellas, and 3 short stories. I love Tina and Harry and find their stories the easiest to write. However if all I wrote were mysteries, I think I’d become bored with writing. As the old adage goes: variety is the spice of life.

And so now I switch gears and turn my attention to one of my other loves: the post-apocalyptic tale. The Rocheport Saga currently has 5 volumes in the series and I’m working on number 6. It is the story of one man’s attempt to create paradise out of the disaster that has almost totally wiped out the human race.

The original manuscript for The Rocheport Saga is a monster over 2200 pages long. Normally I do not rewrite. I follow the practice of writers such as Lester Dent, Isaac Asimov, Robert E Howard, Robert Heinlein, and Dean Wesley Smith — get the story written and move on to the next one. Unfortunately with The Rocheport Saga my technical knowledge of surviving such a holocaust and what is possible has increased a hundred fold since I first wrote the manuscript. Therefore, rewrite I must.

The Rocheport Saga is a cozy catastrophe and I’ve written previously on the cozy catastrophe. You can find those posts herehere, and here. Over the next few weeks I’m going to present more detailed thoughts on and examples of this sub-subgenre of speculative fiction.

Apocalyptic and post-apocalyptic stories are very popular and their popularity shows no sign of abating. The current spate of zombie apocalypse tales is proof this subgenre isn’t going away anytime soon. We are fascinated by what it takes to survive. Will we survive?

I grew up in the ‘50s and ‘60s when the threat of nuclear war was very, very real. I still have those old civil defense pamphlets they handed out in grade school. To this day, I can’t figure out what hiding under a desk will do. But, hey, desperate times call for desperate measures. Right? For me the possible end of the world as I knew it was something I lived with every day. Sure it wasn’t in the forefront of my mind. After all I was a kid. But it was there, subtly, in front of me everyday implied in the newspaper, on TV, in books, and in those civil defense drills. One day, most of us might be wiped off the face of the earth.

The apocalyptic and post-apocalyptic tale is nostalgia for me, at least in part. Probably why I’m not keen on the flood of zombie apocalypse stories hitting the market. That stuff is pure fantasy. If it is fantasy I want, then I prefer the original zombie of Haitian folklore: an undead being created by the evil magic of a bokor. A supernatural being. The mindless slave of the evil wizard or witch. Robert E Howard was a master of this kind of zombie tale. “Black Canaan” being a classic zombie horror story. In fact, I class the zombie apocalypse as a horror tale and not a true apocalyptic or post-apocalyptic story. And, for me, I find the modern zombie story a laughable joke compared to the likes of “Black Canaan”.

The apocalyptic tale and the post-apocalyptic tale are different things, even though they are usually lumped together. The apocalyptic story deals mostly with the cataclysm and the events leading up to it. A classic example is the novel When Worlds Collide and the movie 2012. The emphasis there is on preparation to survive what is coming. The story can be plot or character-driven.

The post-apocalyptic story takes place after the cataclysm. Often the disaster comes upon us suddenly and we have no time to prepare for it. As in the BBC TV series Survivors and the classic sci-fi novel Earth Abides. The focus is not on the disaster, but on the survivors of the disaster. How they cope and what they do to survive in a sometimes radically altered world, such as we find in the Mad Max series, The RoadI Am Legend, and The Book of Eli. In other post-apocalyptic settings the world the survivors face is not radically different. We see this in Earth AbidesSurvivors, and After Worlds Collide (where the survivors are on a very earth-like planet). Here, the story is usually character-driven and perhaps that is why I prefer it over the apocalyptic tale.

There are many apocalyptic scenarios, each one affecting the possible direction humanity and civilization might take. My favorite is the cozy catastrophe because the catastrophe is often environmental or the result of scientific interference with nature. The term was coined by Brian Aldiss to pejoratively describe a style of post-apocalyptic literature popular in post-World War Two Britain, made famous by John Wyndham’s The Day of the Triffids. On the American side of the pond, the most famous example is probably Earth Abides by George R Stewart.

In the cozy catastrophe, the disaster is not dwelt on. It happens rather rapidly and wipes out most of the human race; leaving the world essentially as is, minus the human population. The focus is not on survival so much as it is on re-building civilization and doing a better job of it this time around.

Of course what I just wrote is a broad overview and exceptions abound. But in general, I find the cozy catastrophe on the whole positive — emphasizing the hope we hold on to that we can make the world a better place in which to live.

Over the course of the next several weeks, I’ll delve into more detail as to what is and what isn’t a cozy catastrophe.

As always, your comments are welcome!