Showing posts with label indie writers. Show all posts
Showing posts with label indie writers. Show all posts

Friday, April 2, 2021

Indie April Reading Suggestions — Part 1

Crispian Thurlborn



Welcome to Indie April!


Every year, I solicit independent authors/publishers (aka “indies”) to recommend books for me to read, and if I like them, to promote.


My caveat is that I don’t want bestsellers. Nor any book ranked in the top 300,000 on Amazon. And they must be self-published. Small press does not count, as that is just downsized traditional publishing.


If you have any suggestions, please put them in the comments.


This month, I’m adding blog posts promoting 13 authors who have impressed me over the years with writing that lingers in my memory. Lingers in a good way, that is.


These writers are not bestsellers. Although they should be, and would be if we lived in a fair world. But, alas, we don’t. Their writing, though, is top-notch and will entertain you. That much I can guarantee.


Crispian Thurlborn


First up is Crispian Thurlborn, who is truly an author par excellence. He is a master craftsman. A meticulous craftsman. He does magic with words.


He writes stories that will chill you and impart a subtle terror that lingers long after the story has ended. He also writes stories filled with whimsy and humor.


All of his published work is top drawer.





Today I’d like to focus on his short novel, A Bump in the Night. It’s a ghost story, of sorts. It’s a philosophical story, of sorts. It’s sad, yet ends well. It’s filled with humor. And the prose would make Dickens envious.


It’s a tale of two ghosts who try to stop their friend, Mr Bump, from fading away. But the best laid plans of mice, men, and ghosts… Well, you know, Mr Murphy and his law even transcend the grave.


A Bump in the Night is not a tale of terror. Yet, in a subtle sort of way, the story confronts us with death, that thing which terrifies us all.


The book is one of my favorites. But then all of Mr Thurlborn’s work can be listed amongst my favorites. He’s that good.


So this Indie April, do yourself and Mr Thurlborn a favor: buy his books, enjoy them, and review them. Both you and he will be very happy.


Here are links to his Amazon pages:


US


Canada


UK


Australia


Germany


And if you subscribe to his mailing list, you’ll get the chilling story “Wednesday Girl” for free! It is very good.


Watch for Part 2, which comes out Tuesday.


Comments are always welcome! And until next time, happy reading!



Tuesday, September 15, 2020

The Business of Being Indie — Part 3

 Some Things I’ve Learned



I published my first 4 books in November 2014 and followed up with 2 more in December 2014.


Quite honestly, I had no idea what I was doing. And I shamefacedly admit that I believed in the magic wand. That just by putting my books up on Amazon I would make piles of money, and in a couple years could buy my Rolls-Royce.


Then reality hit a couple, three months later when the sales fell off to nothing.


The School Of Hard Knocks taught me once again there isn’t a magic wand. TANSTAAFL. There Ain’t No Such Thing As A Free Lunch. For a moment there, I forgot and believed in free lunches.


But not anymore. Reality is a Harsh Mistress, to paraphrase Heinlein.


Today I’m sharing with you some things I’ve learned over the years. I’m naturally skeptical. But I, too, have been suckered by those promising me that their snake oil works where all the others have failed.


So here is a list, in no particular order, of things I’ve learned.


1. The Self-Publishing world of today is very much like the pulp fiction magazine world of yesteryear. Study the writers and publishers from back then, apply what you learn, and the study will pay dividends. There is nothing new under the sun.


2. Fiction readers, for the most part, want entertainment. Scare them. Make them cry. Make them feel good. Give them an exciting adventure. If you can do that, you’ll have an audience.


3. Your story doesn’t have to be perfect. It just has to be good enough. The vast majority of readers aren’t looking for The Great American Novel, they merely want to be entertained. They just want to have fun.


4. If you want fast money from your pen or keyboard, write non-fiction. Something in the self-help area. Non-fiction is the second largest book market after romance.


5. If you want fast money writing fiction, write only in the most popular genres. Right now these are romance, thrillers, and urban fantasy.


6. Start your mailing list before you publish your first book.


7. Pick one or two social media platforms and build a following before you publish your first book. And that goes for setting up your website, too.


8. Your book cover is advertising copy. (And foolish me thought it was about the book!) It must tell the potential reader what genre your book is in. So don’t be original. Be a copycat.


9. Your book’s blurb is advertising copy. Don’t tell the potential reader what the book is about. Tell them how they’ll feel reading it.


10. The one indie rule for success that has not changed is write lots (and fast), and publish often.


11. Publish a novel, or at the very least a story or novella, at least every three months. More frequently is better.


12. Write in series. Standalones, with rare exception, don’t work well in self-publishing. There are lots of ways to structure a series. Here are four:


  1. The multi-volume novel. Think trilogy. Think Lord of the Rings. Think the Kurtherian Gambit. One main story arc stretched over 3 or more novels.
  2. The Series Character. Think Sherlock Holmes and Nero Wolfe. Or Lazarus Long and Jules de Grandin. Or Columbo and Star Trek on TV. Each episode is a standalone, but they all tie together.
  3. The Same World/Universe. Standalones work better if they are all set in a single world, and perhaps have recurring characters show up.Trollope’s Barchester series started this approach. Lindsay Buroker (writing as Ruby Lionsdrake) used it for her SF Romance novels. And there are others.
  4. The idea or object series. This was a favorite of H. Bedford-Jones. He’d write standalone stories and what tied them together was a theme or an object that appeared in each story. One series chronicled the fictional history of a famous emerald. Another the history of ships. And another famous heroes.


13. Don’t waste money on an editor. They are after all only human. I’ve seen too many professionally edited books rife with errors. Today’s AI can proofread and line edit with ruthless efficiency. I’ve become a convert after using ProWritingAid.


14. And if you are having trouble with the overall concept of your book, have a couple fans read it over and tell you what doesn’t work. After all, they buy your books. An editor probably doesn’t.


15. Beware the “expert”. Why? Because most aren’t. They follow the very old saying: read three books on any subject and you are an expert. Which means you might as well read those 3 books yourself. After all, the books are probably cheaper than the course the “expert” is selling.


Fifteen things I’ve learned. And I’m sure lots more learning is on the way.


Comments are always welcome! And until next time — happy reading and writing!

Tuesday, May 5, 2020

Reading Indie


I am surprised by the number of authors on Twitter who say they don’t have time to read, or who don’t read books by indie authors.

Don’t Have Time To Read

This one just boggles my mind. How can a writer say he or she doesn’t have time to read?

That’s like a painter saying he doesn’t have time to look at art.

Or a woodworker saying he doesn’t have time to look at other examples of woodworking.

Stephen King has noted that if one wants to be a writer, he needs to do two things:

  1. Read a lot
  2. Write a lot

And Mr. King is not alone in his sentiment. Every writer who makes a living from writing says the same thing.

Reading the writing of other writers not only provides enjoyment for the reader — but it is a seminar on how others approach the art and craft of storytelling.

Writers need to be readers.

Don’t Read Indie

This too boggles my mind. How can an indie author not read the words of his or her fellows?

That’s like an eye doctor never talking with other eye doctors. How is that going to work? I would not want to go to that doctor.

It saddens me to see indie authors not list an indie book when they play those Twitter games of list your current favorite reads. Or an indie author when they’re tagged to list current favorite authors.

I read an average of four books a month, along with a bushel basket of short stories and novelettes. I also sneak in some nonfiction. And most of my reading is of indie authors.

Mind you, I don’t read bestsellers. I find bestsellers, for the most part, not the best books. I scour the bottom of the barrel and maybe the middle of the barrel. That is where I find the real talent. The writers who truly know how to tell a good story. And I find it a shame that those writers are the ones who deserve to be bestsellers and are not.

Indie April is over. But that doesn’t mean the adventure has to stop. Those indie authors are still there waiting to be discovered. Go out and discover them. Find those books that are not in the top 300,000 on Amazon’s paid list. That’s where you’ll find the good stuff.

Writers, if you are serious about your craft, read lots and write lots.

Comments are always welcome! And until next time, happy reading!

Tuesday, April 21, 2020

#IndieApril

April on Twitter is #IndieApril month. All month long we celebrate independent authors/publishers — indies. It is a self-publishing extravaganza.

I regularly read self-published books. In fact, the majority of my reading is of self-published authors. In this day and age democracy reigns in the publishing world. The artificial gatekeepers of editors and agents and publishing house rules are dinosaurs on the evolutionary path to extinction.

Two thousand and many more years ago there were no agents, no editors, no publishers. If Sophocles wanted to write a play, he wrote one. The audience was the only arbiter. If Seneca, wanted to write a book on moral philosophy, he wrote one. Only the audience mattered.

When the printing press was invented, self-publishing — which was the only kind of publishing there was — could reach much larger audiences with the new printed books than it ever could with the old handwritten manuscripts of previous generations. A win for publishing democracy.

Today, with ebooks, there are no limits. Not selling enough on Amazon? BookFunnel can create a code for your ebook that allows you to give it away or sell it. The reader then redeems the code on the BookFunnel site and gets the book.

You can literally stand on a street corner and give away or sell your ebook to any number of takers. All you do is give them a card with your book code on it.
You’re on the bus or an airplane. The person next to you is interested in your book — you can make a sale right then and there.

I haven’t used BookFunnel’s new program yet (it’s not offered on my current plan), but I’ve been thinking of ways I could use it. Because it sure beats the heck out of hauling around cartons of paperbacks.

Democracy has returned to writers and readers in a way, Aeschylus, Plato, Seneca, Plotinus, and other ancients never dreamed of. And I, for one, love it.

Each #IndieApril I try to read several brand new authors. So far this month I’ve read two new to me authors: Caleb Pirtle III and Lex Allen.

Lonely Night To Die by Caleb Pirtle III is a collection of three noir thrillers. I prefer to see them as three episodes in the life of the Quiet Assassin, Roland Sand. Lonely Night To Die is a thrilling, suspenseful read by international bestselling and award winning author Caleb Pirtle III. Do add it to your reading list.

Lovably Dead is a collection of tales of terror by Lex Allen. Awesomely scary reads by a superb writer. If you love being scared to death, get Lovably Dead. Just make sure your life insurance is paid up.

I also like to revisit favorite authors during #IndieApril. So far I’ve revisited Ray Zacek and Andy Graham.

Cosecha by Ray Zacek is a novella of terror you won’t soon forget. A monster is prowling the US-Mexico border. A monster that only catches — never releases. If Zacek writes it, you need to buy it.

Andy Graham is a writer who is quite literary in his style. However, that doesn’t mean he won’t scare the bejesus out of you. Because he will. I’m currently reading A Crow’s Game. And, yes, all the lights are on. And I do mean all.

Indie writers are turning out fabulous books and stories. There are so many talented people out there that the gatekeepers would have denied an audience. And that ain’t right.

April isn’t over. I urge you to buy, read, and review a self-published book. Let me know in the comments if you need suggestions.

Comments are always welcome! And until next time, happy reading!

Tuesday, April 7, 2020

The Piranha Pandemic



Matthew Cormack is one in a legion of virtually unknown writers who are producing excellent fiction. Much of it better than what the big corporate publishers are giving the public to read. 

These independent author/publishers, indies for short, publish some doggone good stuff. Fiction that truly deserves a much wider audience. Fiction that is frequently far better than the best selling drivel being forced upon readers’s eyeballs.

Last week I introduced you to one such writer: Matthew Cormack. This week, I’d like to tell you a bit about two of his three books. Only two, because I haven’t read the third one yet.

The Piranha Pandemic Universe

Mr. Cormack has created a fictional universe that is incredibly believable. Starting with a mysterious and fast-acting virus that eventually wipes out most of humanity, Cormack then extrapolates what the world would be like for those who survived the pandemic — and, more importantly, how they would deal with being a survivor.

This form of the post-apocalyptic sub-genre is called a cozy catastrophe.

The term was coined by Brian Aldiss as a pejorative to describe the plot of Wyndham’s The Day of the Triffids.

In spite of Aldiss, the point of the cozy catastrophe is not a celebration of bourgeois values — it’s a celebration of hope in the indomitable human spirit.

Not dystopian in tone, the cozy catastrophe is utopian. Given the chance, we can indeed fix the mess we ourselves made of society and culture. At last, at long last, a broken world gets to be fixed.

The “fix”, of course, depends on the worldview of the writer of the story.

In my own cozy catastrophe, The Rocheport Saga, the protagonist, Bill Arthur, pursues his anarcho-capitalist libertarian dream. Very utopian indeed!

On the other hand, Matthew Cormack takes a much more realistic view of things: nothing will change, because people are people.

Don’t Dream It’s Over

The first novel set in the Piranha Pandemic universe is Don’t Dream It’s Over. It’s the story of Peter, who is not the most savory of protagonists. He’s pretty much like everyone we know: he has good points and bad points and sometimes the bad points do outnumber the good points. Although, through the course of the story, we see the dross slowly burned away to reveal a pretty doggone good guy. A good guy who’d been corrupted by modern society.

Peter decides to leave London, leave England. At first, his only goal is to reach the Mediterranean. However, as he meets other survivors along the way, and sees how they are coping or not coping with the aftermath of the plague, his own goal begins to change. And by the end of the book, Peter truly is the hero of the story.

Cormack is a cracker jack writer. He makes the epistolary novel form come alive. And he does this by giving us real people in very lifelike situations. That is Cormack’s gift: an eye for people. He’s a canny observer of life and puts those observations into his books.

Don’t Dream It’s Over is a long book: over 250,000 words. Long books aren’t my cup of tea. Yet once I started Don’t Dream, I was hooked. The story was compelling and the book didn’t lag as so many long novels do.

Perhaps what I enjoyed most about Don’t Dream was the realism. No dystopia or utopia here. Although there are dystopian and utopian groups encountered by Peter on his journey to find himself. Which is just another way of saying that we find here real people in real situations.

As one reviewer wrote: “…boy does this book stay with you long after you have finally put it down.” And it does.

Ganbaru

Ganbaru is the second book set in the Piranha Pandemic universe. The story revolves around a completely different set of characters then we encountered in Don’t Dream.

The setting is England. Rural England. And here we have utopia meets dystopia. A small group of survivors intent on making the world a better place, collide with a much larger group led by a real bad egg named Baz. The story line revolves around how the small group can become free from the large group, after Baz’s group takes them over.

I don’t want to spoil the story. You’ll have to read it on your own — and I definitely encourage you to do so.

Once again, Cormack gives us real people in realistic settings which results in a very believable story. A story so believable you tend to forget you’re reading a novel.

Ganbaru is a cozy catastrophe that is largely a thriller laced with a heaping helping of suspense. In my opinion, Cormack has taken the cozy catastrophe and made it a genre for today, yet keeping true to the sub-genre’s roots.

Here’s my review from Amazon:

Matthew Cormack’s Piranha Pandemic Universe is a scary place. The survivors are fighting nature, dwindling resources, and themselves.

Don’t Dream It’s Over is the first book set in this universe. The story is superbly told, for Mr Cormack is a superb storyteller.

Ganbaru gives us a look at a different part of the Piranha Pandemic Universe. A small group of survivors, who are principled persons, want to start rebuilding a better world, and have begun their project in an old abandoned priory.

As fate would have it, they meet a larger group that is pragmatically ruthless. The clash of civilizations, as it were, makes for exciting reading.

Ganbaru is a realistic post-apocalyptic tale. There are no zombies or aliens or monsters — unless we, ourselves, qualify as the monsters.

The story is told well and peopled with real-life characters in real-life situations who must make difficult decisions.

A fabulous story by a fabulous writer.

A fabulous writer indeed.

In these days of pandemic, I encourage you to read Matthew Cormack’s books. Because, at the end of the day, he’ll give you hope — and that’s exactly what we need.

Don’t Dream It’s Over is available from Amazon US and UK.

Ganbaru is available from Amazon US and UK.

The Piranha Pandemic: From Small Acorns… is available from Amazon US and UK.

Comments are always welcome! And until next time, happy reading!

Tuesday, April 30, 2019

#IndieApril

Today’s the last day of April. A third of the year is over. Wasn’t yesterday New Year’s? At least while time’s flying, I’m having fun! Hope you are too!

If you’re a regular reader of this blog, you know I’m a reader. I prefer reading to TV, movies, video games, boardgames, you name it. Reading takes you to a million different worlds without leaving the comfort of your own home. Reading’s my favorite way to travel. Reading also stimulates the imagination like nothing else. And that’s a good thing.

Earlier this month, on Twitter, someone started the hashtag #IndieApril. The goal was to get people to buy, read, and review books written by independent author/publishers.

Being an independent author/publisher and reader, I was excited to jump on the bandwagon. After all, reading is a good wagon to jump on.

I ended up buying 7 books. Here they are:

The Tainted Dollar by Chris Derrick

Hotel Obscure by Lisette Brodey

Voyager by Carl Rackman

The Monkey Idol by KD McNiven

A Brother’s Secret by Andy Graham

Connor’s Gambit by Z Gottlieb

Into Armageddon by Jeff DeMarco

As beauty is in the eye of the beholder, so is a good book in the eye of the reader. And just as there is a lot of beauty out there, there are a heck of a lot of good books that just don’t get the press.

The editors who work for publishers are mere mortals. They put their shoes on the same way you and I do. They are biased and opinionated individuals whose job is to make money for the publisher, the businessman, they work for.

The stories are legion of editors who passed on the eventual bestseller. The stories are legion of editors who thought book X was the next Gone With the Wind — and it didn’t even sell 10 copies.

Why is this? It’s because publishers aren’t interested in art. They’re interested in money. How many bucks will they make on Book X versus Book Y? This makes sense if we understand that publishing is a business. The publishing house’s sole purpose is to make money for the owners. 

Businesses exist to make money. It’s why Jeff Bezos started Amazon — to make money. To get rich if possible. It’s why Random House exists — to make money for their German and British owners. Publishers only see books as dollar signs.

For the last 50 plus years I’ve read in writing magazines and now on the internet, that bestsellers keep publishers afloat. On virtually all of their other books they lose money. The likes of Patterson and Rowling and King, enable publishers to publish the likes of you and me — if we can get past the gatekeepers (editors). And there were other bestsellers who allowed the publishers to gamble on Patterson, Rowling, and King.

As much as I don’t like the monopolistic mindset of Amazon, I’m forced to say that it was the Kindle that changed publishing forever.

Suddenly, overnight, not a single writer needed an agent or a publisher. Writers were free at last. There were no more gatekeepers to prevent our voices from being heard.

Publishing had suddenly become a true democracy. Publishing became as easy as buttering a slice of toast.

Of course, people have this proclivity to make easy things difficult. And so now we see indies themselves setting up all manner of roadblocks to prevent the newbies from entering the ranks of the august.

I hear constantly that one has to have an editor, maybe several! I was told by one nobody author that if I didn’t have money to hire an editor, I should hold a garage sale to raise the money to hire one. What idiocy! As if I have enough stuff I don’t want to make even $10. 

Here are more must haves. One has to have a professionally made book cover. That one has to pay a formatter for a professionally formatted book. And one has to pay for lots of marketing.

What’s going on is simple. In the first place, all those editors that publishers have let go in the last 30 years are seeking to feed off of the indie revolution. Quite honestly, indies don’t need professional editors. We are our own publishing house of our own books. We don’t need someone who doesn’t know us to tell us what our books should or shouldn’t be.

In the second place, indies themselves — to eliminate competition — set up barriers to new writers. Of course there are no barriers to publishing today, so these people play the traditional publishing mind game and make gullible newbies think they need all the above mentioned crap.

The indie publishing waters are filled with sharks and piranha — let the newbie beware. I say ignore those naysayers and shysters. Just write and publish your book. Then learn how to market it.

Every day I’m amazed at the good indie writers I discover. Writers who’s books languish at the 500,000 or one million rank in the paid Kindle Store. Writers who are usually better than the indie bestsellers — most of whom are of no better quality than the traditionally published crowd.

On this last day of #IndieApril, I encourage you to pick up a book or two written by an independent author/publisher. Here are 10 suggestions:











Comments are always welcome! And until next time, happy reading!

Tuesday, October 24, 2017

Interview with Author Ben Willoughby

Today I have the privilege of interviewing one of my favorite indie authors, Ben Willoughby. We first ran across each other on Twitter, and since then I’ve gotten to know him and his writing. So without further ado, let’s chat with Ben.

CW: Tell us a little about yourself.

BW: First, thank you for inviting me to partake in this interview! I’m flattered to have the honor of talking on your blog!

CW: You’re welcome.

BW: My name is Ben Willoughby, and I’m a happily married husband with a beautiful wife and a lovely daughter who turned three last October. I’m an indie writer who’s mainly dabbled in fantasy as well as horror. I have a dieselpunk trilogy I’m currently working on. In my full-time job, I’m a graphic designer.

CW: You’re a bit like me. Writing in several different genres. What did you read as a child?

BW: I really got into mysteries and science fiction as a kid. 

For mysteries, I ate up every single Sherlock Holmes book Sir Arthur Conan Doyle wrote, as well as many of Agatha Christie’s Poirot books.

For science fiction, I read a lot of HG Wells, Arthur C. Clarke, Jules Verne, and AE Van Vogt. 

When I first started writing for fun at thirteen, I tried to come up with my own mysteries, but could never really finish them. Some have said you should write what you enjoy, but I’ve found I can rarely figure out how to do a straight up detective novel.

I also read heavily into military history. My dad was an officer in the army (he’s since retired), so I grew up with a lot of his old books laying around the house, and was exposed to them. By middle school I had a better knowledge on events like the Napoleonic Wars or World War II than most kids my age. 
While my family was stationed in Europe in the mid-90’s, I would go to school and read Erwin Rommel’s World War I memoir Infantry Attacks, and I got to go to the Waterloo battlefield for my thirteenth birthday. I could never get into historical fiction – I think the only historical fiction book I read was The Killer Angels, which was later turned into the movie Gettysburg.

CW: Very interesting. Similar interests, you and I. Aside from writing, how do you spend your free time?

BW: I do artwork, whether it’s sketching or graphic design. My main full-time work for the past decade has been in graphic design, as well as motion design and editing. This has helped me in my writing, since I’ve been able to design my own covers. With the exception of Gods on the Mountain, where I used a freelance artist to paint the cover for me.

I also do a lot of personal study on various topics. My favorite subjects are military history and theology.

And of course, when my daughter is awake, and is in the same room as me, she always desires daddy time.

CW: Yes, there is always the requisite “daddy time”.

BW: There is.

CW: Being a writer, you’re also a reader I would guess.

BW: Yes.

CW: How many fiction books do you read a year?

BW: I read quite a bit, though I don’t know if I can really pin a number on it. If I had to “guesstimate,” I would say about two dozen a year. Part of the problem is finding the time to sit down and read – I’ll get involved in another project, or have to spend time with the family, and by the time I’ve sat down in a place where I can read, I’m too tired to mentally focus. I’ve been getting better about it recently, however.

I also read quite a bit of non-fiction on top of fiction. I recently read a book on what life in England was like at the turn of the first millennium, and am now going through a book on Martin Luther.

CW: What book do you think everyone should read and why?

BW: This is a hard question to answer, because obviously not every book is going to be for every person’s taste. Any book I say, there will most likely be someone out there to say it’s not for them, or could never, in any way, edify them.

CW: Fair enough, so tell us instead about a book that has influenced you as a person.

BW: I used to have an enormous, single volume of Matthew Henry’s commentary on the Bible. 

CW: Hey, I had one of those! A great Puritan commentary.

BW: Yes, it is. His analytical way of thinking, and explaining everything as if he were writing a sermon, influenced how I read things in general, which was carefully, word for word, and with a larger picture in mind. It did way more to assist my understanding of comprehensive reading than any test I took in school did.

CW: Spot on about Matthew Henry. Okay, you are being exiled to a small island in the Pacific. You can take 3 books with you. What books would you take and why?

BW: a. The Bible, to maintain my faith and knowledge in true wisdom.
b. The Encyclopedia of Military History by the Dupuys. I used to read that for fun as a kid. There’s enough information in there to pass away eternity and a day.
c. Starship Troopers by Robert Heinlein, because that’s good sci-fi. (Also, fudge the movie.)

CW: Very interesting choices. So now tell us about a book that’s influenced you as a writer.

BW: It’s hard to pin this down exactly on any one book, because obviously we glean from everything we read, and there are plenty of authors out there who have influenced us. If I had to point to one (in a collective sense), it might be George R.R. Martin’s A Song of Ice and Fire series. 

The earliest books did a great job not only in character development, and every character feels different in their motivations and desires, but the worldbuilding was also excellent. Westeros felt like a real, functioning world. I won’t say his worldbuilding is perfect, as there are a few parts I find a tad bit contrived (eg., one house ruling the same position for thousands upon thousands upon thousands of years), but compared to other works, it’s much more polished. To step into the story is to step into another land.

It’s a bit sad for me to say all this, and I hesitated doing so, since I’ve stopped reading the series long ago. George R.R. Martin takes decades to write one book (confirming my earliest fears that he was the new Robert Jordan), and his storyline has gotten bogged down in so many subplots he’s now admitted he’ll have to write several more books. Also, it’s quite obvious he’s sold out to HBO. But that’s another rant for another time.

CW: Of all your books, which one is your favorite and why?

BW: I find myself still going back to my novelette The House That Homed. It was a lot of fun to write (about three-quarters of it was complete, on-the-spot improvisation) and it showcases my sense of humor, which admittedly is pretty unique and relies heavily on non sequitur. Whenever I pick it up and reread it, there are scenes (like Officer Bruce’s meltdown) that still make me crack up. There are also some parts that will reenter my head as I’m out and about and make me chuckle (like the “It’s the Kickstart guys again” line).

CW: Oh, yes, The House That Homed is fabulous. Superb dark humor. Now, if I hadn’t read any of your books, which one should I start with and why?

BW: In all honesty, probably one of the last ones I published, Mannegishi. I think it’s the much more polished of much of my work, in terms of development, story, and build-up. I was also pretty proud of how I developed each of the individual characters, and how they relate. This was the book where, at a pinnacle point in the romance subplot, my wife actually lamented, “I don’t even care about the aliens anymore!” It was also a lot of fun to write scenes involving exchanges between certain characters, such as the scene where Rick and Lucy have some brief convos, or all the scenes where Sam and Rick go at each other, and so I feel like those scenes really work.

CW: I haven’t read Mannegishi yet. It is, however, on my list. Thank you, Ben Willoughby, for chatting with us today.

And now here is a bit more about Ben, where you can find his books, and get in touch with him.

Ben Willoughby was born in the United States and, being a military brat, ended up seeing a lot of it (along with a foreign country or two). At a very young age, he found a love for reading. At the age of 12, he found a passion for writing. In his late 20's, he decided to pursue publishing many of the ideas and concepts he had developed over the years. He currently lives in Ohio with his loving wife and young daughter. When not writing or reading, he spends his spare time sketching and smoking his pipe.





You can find Ben’s books at:


And you can find him on Twitter (https://twitter.com/BenWilloughby84)