Literary Fiction

Were Ernest Hemingway alive today, would he make it as an independent author/publisher? I don’t think so.

Why do I write that? Because literary fiction is a tough sell to the indie reader. Not that a reader of indie books won’t read literary fiction, because some do. I for one.

However, Lit Fic is not the main diet of the indie reader. Genre fiction is. And genre fiction written in serials. 

When we look at Literary Fiction in comparison to genre fiction, we see the problem immediately: most Lit Fic is standalone, and how the heck do you categorize it to get a reader’s eyes on it?

With genre fiction, it’s easy. There are all manner of tags one can use. For mysteries there are: crime fiction, serial killer, detective fiction, police procedural, cozy, amateur sleuth, along with the general mystery and murder mystery.

But what category does a book like The Remains of the Day fall into? Or The Old Man and the Sea?

Amazon does put The Old Man and the Sea into the Sea Stories category, but is it really a sea story? It certainly isn’t what I think of when I think of the sea story category. I think of Patrick O’Brian, and the Horatio Hornblower books. I might think of Moby Dick, or a book by Joseph Conrad. But Moby Dick isn’t really about the sea or whales, and while many Conrad stories involve the sea, they aren’t actually sea stories either.

The Remains of the Day is in an even more difficult place. Classic British Fiction. Now that tells me a lot. And therein lies the problem with indies selling Lit Fic — what the heck do you call it?

Since the indie reader basically demands genres and serial fiction, I think therein lies the answer. And the indie writer of Literary Fiction has no better a model than Anthony Trollope.

Trollope invented the novel series with his Barchester Chronicles: six novels that take place in and around the cathedral town of Barchester.

The six novels loosely follow each other. Although they can be read as standalone books. What they share is a locale and a set of characters that show up in each of the books, but with each novel having a different main character.

Because Trollope touches on so many different aspects of mid-nineteenth century British society, we can fit these books into many categories.

The books are historical fiction and religious fiction. They could possibly be called Christian fiction, although they aren’t evangelical in nature. They are about small town life, church politics and specifically Anglican Church politics, middle-class life, and married life. There is a fair amount of romance, always a campaign for Parliament, so we could call them mildly political novels. They could also be called comedies of manners. And they are filled with humor.

Trollope, as if he had foreseen Twitter, made it easy of us to tweet his books. And therein lies the key to an indie author’s success in writing Literary Fiction: write a series of standalone novels that involve the same locale and a general set of characters.

The old format for the TV series works well here: a main trio of characters, a supporting cast of around nine, and a uniform locale; each week one character is the focal point of the episode. Gunsmoke ran for years on such a formula, as did every other series when I was growing up.

And Anthony Trollope gave us the formula over a century ago.

Comments are always welcome! And until next time, happy reading (and writing)!