The Medusa Ritual

The insignia of the Office of Unidentified Phenomena

This Friday, 1 February 2019, I’ll start serializing the working draft of my new Pierce Mostyn novel—The Medusa Ritual.

So I thought I’d talk a little bit today on what inspired me to write the book, and why I am choosing to serialize the working draft on my blog.

The Inspiration

The other day, on Twitter, I received one of those tweets where you answer a question and then tag a few other people. The question was name 5+ writers who inspired you to write.

My list was:

Edgar Allan Poe

Sir Arthur Conan Doyle

Saki

HP Lovecraft

Robert E Howard

Rex Stout

Lawrence Block

Anthony Trollope

I would’ve added Jules Verne, but ran out of characters.

It’s no secret that the Pierce Mostyn series draws on HP Lovecraft for its primary inspiration. Nightmare in Agate Bay is more or less a contemporary retelling of “The Shadow over Innsmouth”. Stairway to Hell drew inspiration from Lovecraft and Bishop’s “The Mound”. While Terror in the Shadows was inspired by HPL’s “The Lurking Fear”.

“The Man of Stone” by HPL and Hazel Heald became the springboard for my imagination to take flight with The Medusa Ritual.

Are the two stories anything alike? No. Not really. Both feature a book of forbidden knowledge, both touch on the Cthulhu Mythos, and both have people turning to stone–and that’s it. But the ideas in HPL’s and Heald’s story were enough for Mostyn, Bardon, Dotty, and the gang to say, “Hey! Run with this!” And I did. After all, writers need to listen to their characters. 😃

Serialization

Last week I talked about the practice of serializing novels. So let’s talk a bit about why I’m serializing The Medusa Ritual for free.

First of all, I’m not serializing the finished book, and you might ask why? And the answer is that in a way I’m following Victorian practice.

Frequently in the Victorian era, a novelist wrote the novel as it was being serialized. Dickens, for example, was only one or two installments ahead of his publisher in writing The Old Curiosity Shop. In my case, I handwrite my books, then do an initial edit while typing them. So much like the Victorians, you’ll get the working draft of the book.

Now you might be curious as to why I’m serializing the book for free on my blog. Again, for much the same reason the Victorians serialized: to drum up interest in the book. I’m also hoping to attract more readers to the Pierce Mostyn series, to attract more traffic to this blog, and to get readers to sign up to my mailing list.

In addition, I’m giving you a chance to comment on the work in progress. To be a bit of an editor, as it were.

Serialization is making something of a comeback. Fan fiction is usually serialized. Books are often published in installments on Wattpad. Channillo is a subscription site ($5/month) where writers who want to serialize their work, and get paid, can do so.

There are, in addition, those few writers who issue their novel installments on Amazon and then collect all of the installments into book form.

Steve Bargdill published the novelettes that comprise his Wasteland separately and then collected them in book form.

GC Julien serialized her The Feral Sentence series and then followed up with the installments issued in book form.

For now, I am willing to offer my working draft for free. If my experiment is a success, I might try Bargdill’s and Julien’s approach. In the Victorian era, one of the reasons publishers serialized novels to begin with was to allow those with less disposable income to buy the book. In those days folks could possibly afford the monthly cost of the installment, whereas the outlay for a complete novel may have been prohibitive. It was a win-win for both the publisher and the reader.

Today, when traditional publishing puts a $10 or $15 price tag on the Kindle edition of a James Patterson novel, a 99¢ serial installment looks very affordable.

I know for myself, living on a fixed income, the price tag of a book has become very important. And sad to say, many indies are pricing themselves right out of my wallet. I do not look at indie authors who are selling at the $5 price point or above. And I very much think twice when the book is priced at the $4 price point. After all, I’m stuck with the book if I end up not liking it. I can’t turn it in to the used ebook store to recoup a bit of my money.

For the next 18 weeks, I’ll be running 2 blog posts each week: my regular Tuesday post and on Fridays the installments of The Medusa Ritual. Tune in each week to double your pleasure and double your fun.

Comments are always welcome! And until next time, happy reading!

The Serial Novel

Last week I mentioned my intention to serialize the working draft of my next Pierce Mostyn novel, The Medusa Ritual, on my website. That plan is still in the works. I’m thinking of 18 weekly installments issued during February, March, April, and May. Then in June I’ll publish the revised novel in ebook form.

Why serialize a novel? Why not? As near as I can tell, the serialized novel has been around since at least the 1700s. It is generally agreed that the overwhelming success of the serialization of The Pickwick Papers by Charles Dickens from March 1836 to October 1837 established the commercial viability of serialization as a publication format.

During the Victorian Era, in general, the highest paid authors were the ones favored for serialization. If your book wasn’t chosen for serialization that usually meant you were considered a mid-lister.

During the pulp era, magazines often serialized novels. In fact, many pulp era novels never saw print in book form and languish in often rare and deteriorating magazines. Today, however, there are publishers seeking to remedy that situation and you can find pulp era serialized novels now coming out as ebooks and print on demand paperbacks.

Recently, I bought an ebook of Robert James Bennet’s lost race novel Bowl of Baal, serialized in All Around Magazine from November 1916 to February 1917. This is the first book publication of the novel.

Rex Stout’s lost race and subterranean world novel, Under the Andes, was originally serialized in All Story Magazine in 1914. It didn’t see book form for over half a century.

In 1932, Weird Tales published the only Jules de Grandin novel Seabury Quinn wrote in 6 installments from February to July. The novel didn’t see book form until many decades later.

However, not just obscure novels were serialized. As mentioned above, Dickens made serialization financially lucrative for publishers and authors. All throughout the Victorian era and well into the 20th century very popular novels first appeared as serials — many which are considered classics today.

In addition to Dickens’s novels, below are a few other classics that were serialized initially:

Uncle Tom’s Cabin by Harriet Beecher Stowe

The Count of Monte Cristo by Alexandre Dumas

Crime and Punishment by Fyodor Dostoevsky

The Woman in White by Wilkie Collins

North and South by Elizabeth Gaskell

The Portrait of a Lady by Henry James

The War of the Worlds by HG Wells

The Hound of the Baskervilles by Sir Arthur Conan Doyle

The Secret Garden by Frances Hodgson Burnett

In Cold Blood by Truman Capote

And the list can go on and on.

So if serialization was so popular, what happened? I think a major answer lies in the demise of the print media. First radio, then TV, followed by the internet have damaged interest in print. Magazines and newspapers have suffered the most, and those were the vehicles that serialized novel length fiction all throughout the 19th and the first half of the 20th century.

A second reason lies in what serialization tended to do to a novel. Things that were not considered good writing:

• Excessive length
• Too much repetition
• Plot lines that didn’t go anywhere
• Excessive melodrama leading to cliffhangers

One reason the novels were revised for issuance in book form. However, publishers (and even readers) think novels have to be a certain length, and so to achieve that length some of that “bad” stuff was kept to pad out the novel.

So is there a future for the serialized novel? I think there is. Writers seeking ways to drum up interest in their work and to secure for themselves an audience, are exploring whether or not serialization will help to that end.

After all, most TV series are nothing more than serialized “novels”. So if we can watch our “novels” in installments on TV, why can’t we do so again in our reading material? No reason, really.

So I’m going to experiment with the serial novel. And I hope you’ll participate in this adventure by telling me what works for you and what doesn’t. Because, I am after all writing the book for your entertainment. I want you to enjoy it. And you can help me to achieve that end.

Comments are always welcome! And until next time, happy reading!

Pierce Mostyn - Paranormal Investigator

Pierce Mostyn fighting inter-dimensional beings.
Photo from a secret OUP file.

The other week I ran across a magazine called The Occult Detective Quarterly. Since the occult detective is a relatively new interest of mine, I loaded a couple issues onto my iPad for a read.

I’m about halfway through the first issue and I can honestly give the zine a big thumbs up! I hope they get the money they need to publish issues 5 and 6.

The occult detective has a long and venerable history. I outlined a bit of that history in a previous post. I also noted that it was Seabury Quinn’s occult detective, Jules de Grandin, that saved Weird Tales magazine from going under very early in its history.

Today I’d like to focus attention on my own occult, or paranormal, investigator creation: Pierce Mostyn and the Office of Unidentified Phenomena.

I’m a fan of the Cthulhu Mythos, vampires, werewolves, re-animated corpses (whether they be creations of Dr Frankenstein, Herbert West, mummies, or old-fashioned zombies and zuvembies), and, of course, ghosts. Pretty much anything supernatural gets my vote, and even a few things that aren’t exactly supernatural but can be classed as weird.

Pierce Mostyn, paranormal investigator extraordinaire, and the Office of Unidentified Phenomena, led by uber-mysterious Dr Rafe Bardon, are America’s ultra-secret fighters whose mission is to stop and destroy those things it is best for us not to know they exist.

In Nightmare in Agate Bay, Mostyn and his team meet an off-shoot of the Esoteric Order of Dagon in backwater Agate Bay, Minnesota. Which Order was the same mysterious cult that plagued poor Innsmouth. We meet fish people and a shoggoth. Some of our favorite paranormals.

Mostyn’s next adventure, Stairway to Hell, takes him and his team to the subterranean world of K’n-yan. Where we find a super-race of fickle and sadistic beings, who just so happen to be worshippers of Cthulhu and his buddies.

In K’n-yan, while trying to find a way to escape, Mostyn encounters the beautiful and seductive H’tha-dub, who gives him a Faustian choice that could save his team and at the same time destroy his budding romance with team member Dotty Kemper. Duty or love, that is Mostyn’s choice. The choice should be easy. But is it?

We all know that while Cthulhu is a pretty gargantuan bad guy, he isn’t the only monster on the block. In Terror in the Shadows, Mostyn and his team encounter a family that has degenerated beyond the classification of human. A family that has undergone reverse evolution. The classic term for such a being is abhuman. And Mostyn encounters lots of them in the hills of Appalachia. For their part, the abhumans recognize a good protein source when they see one.

And if the monsters of natural degeneration aren’t enough, there’s Van Dyne’s Vampires — the product of modern science and the laboratory. Mostyn and team must face hordes of these lab-cultured demons who’d just as soon chomp your liver as suck your blood.

Evil never rests. After all, if it did, what would we paranormal writers write about? Which brings me to the upcoming Pierce Mostyn paranormal investigation: The Medusa Ritual. As an experiment, I intend to serialize the working draft of this short novel here on the website prior to its publication in book form this summer. But more on the serialized novel and The Medusa Ritual in the next couple weeks.

The first Pierce Mostyn investigation went public a year ago. And in the 12 months since I’ve had great fun getting to know the central gang: Mostyn himself, Dr Dotty Kemper, Willie Lee Baker, DC Jones, Helene Dubreuil, Dr Rafe Bardon, and the newest addition, Kymbra NicAskill.

I encourage you to take a look at my interpretation of the occult detective. You’ll find everything you love about the paranormal and good stories in the Pierce Mostyn Paranormal Investigations. There be monsters here!

Comments are always welcome! And until next time, happy reading!

Logo of the Office of Unidentified Phenomena

Don’t Dream It’s Over

Good Books You Probably Never Heard Of - Part 12

Don’t Dream It’s Over by Matthew Cormack

Every now and then we all come across a stellar book. One that grabs us and resonates with us like few others have.

Don’t Dream It’s Over is a hefty post-apocalyptic novel, coming in at over 700 pages. Such a length is not my normal cup of tea. I don’t particularly like long books. Inevitably there are parts that are just plain old boring and others that are tedious at best.

So imagine my surprise when I didn’t encounter any of those negatives in Mr Cormack’s book, and it grabbed me as few others have. It was a very pleasant and welcomed surprise.

There are many types of post-apocalyptic novels. There’s the very popular zombie apocalypse and it’s aftermath. There are the prepper PA novels. The EMP novels. The pandemics. Alien invasions. Cozy catastrophes (my favorite). And the list goes on.

However, Mr Cormack’s novel isn’t so easy to categorize. It comes closest to being a cozy catastrophe. A cozy is a PA novel that focuses on rebuilding the world to make it a better place than it was before the disaster. They are essentially utopian in character.

Classic examples of the cozy catastrophe are Earth Abides and The Day of the Triffids. Terry Nation’s BBC TV series, Survivors, and the book he wrote later on, also titled Survivors, fit nicely into the cozy catastrophe category, as well.

Yet, Don’t Dream It’s Over isn’t 100% cozy catastrophe either, because there isn’t a lot of focus placed on rebuilding the world. In fact, there is an interesting section where a wise old thinker postulates that the visionaries will die out and it will be the ones who think of nothing but expansion that will survive. A touch of dystopia there.

What Don’t Dream It’s Over primarily is, is an extended character study. A character study of the narrator as he goes about his business of day-to-day survival and trying to figure out what to do with his life. Don’t Dream It’s Over is primarily a novel of self-discovery and personal growth.

Mr Cormack’s book is an engaging story. He grabs your attention, holds it, and doesn’t let it go.

The format is that of the epistolary novel, using journal entries instead of letters. What can be a difficult format, Mr Cormack handles exceedingly well. He knows how to pace the story and knows when to introduce thrills and spills to keep the narrative from getting boring.

I’ve read the book twice, and I don’t usually re-read novels. And I thoroughly enjoyed it both times.

I encourage you to buy a copy (it’s only 99¢ as of this writing and is in Kindle Unlimited). Support this fabulously talented indie author. He has another novel set in the same universe: Ganbaru. It is on my reading list.

Don’t Dream It’s Over is very highly recommended. Don’t miss this one.

My 2018 Reading Recap

Today begins a new year. So I thought I’d recap some of the excellent books and stories I read in 2018.

I’m loathe to rank the books I read, and I definitely don’t like to single one out as the Best of the Year. Mostly because tastes change and what I put on top today, I might put in the middle tomorrow.

That being written, 2018 was a banner year because I discovered many wonderful writers and even more truly fabulous books and stories.

What I thought I’d do is look over the 43 novels and novellas, the 5 short story collections and 37 individual short stories, and the 8 books of non-fiction I read and give some a shoutout. Good reads with which to load up your ereader for 2019.

Quite a few of the books I read in 2018 I’ve already promoted on Twitter, featured as my Book of the Week on Facebook, or written reviews for this blog. The rest are waiting for their turn in the limelight.

As a reader, I don’t usually finish a book that isn’t holding my attention. I’m 66 and there are too many good books out there to waste time on the bad ones. After all the actuarial tables aren’t on my side.

I also don’t bother with books touted as bestsellers or award winners. Mostly because the disappointment factor is very high with those books. I’ve discovered true gems amongst the books that are not bestsellers and amongst those that have garnered no awards.

Success is largely a matter of luck, and generally has nothing to do with talent. In writing, as in life, persistence is the key.

Now on to the books!

Secrets of the World’s Best-Selling Writer by Francis L and Roberta B Fugate. This is the best book on writing I’ve ever read. And I’ve read quite a few. The book is about the writing career of Erle Stanley Gardner, the creator of Perry Mason. The Fugates had access to the vast archive of Gardner’s notebooks, letters, and papers. The writing advice comes straight from Gardner himself — and the book is full of wisdom. Every writer who is serious about selling his or her work should have this book. And readers interested in the creative process, should also have this book. It’s a treasure trove.

I love short stories and short novels. Too often long works are filled with unnecessary padding — stuff that doesn’t contribute much, if anything, to the story.

However, I did read a couple of hefty tomes in 2018. And neither one had any flab. They were:

Church Mouse by RH Hale

Don’t Dream It’s Over by Matthew Cormack

I’ve previously extolled (and will continue to do so) the virtues of Church Mouse. It’s a powerful novel with exceedingly well-drawn characters. A very memorable read. A modern day classic.

Note: Due to Amazon’s anti-small author policies, Church Mouse is not available in the Amazon US store. The links take you to Ms Hale’s website and from there you can purchase the book at the vendor of your choice.

Don’t Dream It’s Over is one of the best post-apocalyptic novels I’ve ever read. Matthew Cormack, with a deft hand, paints us a world that is not nice — but wherein lies much hope. Hope for a better future than what we might have gotten in the old world.

The book is also one of the most in depth character studies I’ve ever read. You have to read Kazuo Ishiguro to find something similar. An excellent, excellent read.

Now on to the shorter stuff!

In 2018 I made the acquaintance of quite a number of new (to me) writers. Some of these were:

Richard Schwindt

Joe Congel

Seabury Quinn

Stephen A Howells

Ernestine Marsh

Ray Zacek

Simon Osborne

Andy Graham

Zara Altair

Mark Carnelley

John Paul Catton

These men and women will provide you with many hours of great reading pleasure. So let’s look a bit further and see what kind of pleasure they will bring.

Richard Schwindt has 10 works of fiction (by my count) and I’ve read 8 of those works. He’s an entertaining writer, who delivers good mysteries and occult detective tales, along with imaginative fantasy and paranormal reads. His books are infused with humor, and always give me food for thought.

To start, check out Herkimer’s Nose and Fifty-Seven Years (written under his Will Swift byline). Great reads by a great author!

Joe Congel writes traditional private detective mysteries. His books and stories give a nod to the Golden Era of the mystery, while at the same time being very modern reads. If you like the old school mystery, you’ll like Joe Congel’s Tony Razzolito!

The late Seabury Quinn was a very prolific writer during the pulp magazine era. His first published story was in 1918 and his last (I believe) was in the early 1950s. He wrote across many genres, but is best known for his stories in Weird Tales magazine. He was that magazine’s most popular author, and I can see why. The occult detective Jules de Grandin is his most well-known character.

Stephen A Howells has one book published to date, and in my opinion it is a big time winner. The Garden of Jane Pengelly is part ghost story, part love story, part fantasy, and part magical realism. And it is all wonderful! Mr Howells can tug at your heart strings, so have the tissue box handy. You will love this book.

Ernestine Marsh is the queen of the bitingly satirical comedy novel. Agonising is a look at our foibles and how ridiculous we as a species are at times. Ms Marsh wades in with no holds barred and pulls no punches. I laughed with every page I read. I can’t wait to read the sequel, In Agony Again. Voltaire move over.

The work of Ray Zacek can be darkly humorous, or satirical, or just plain dark. I like his stories very much. My favorite to date is Daguerreotype. The tale is a haunting exploration of our dark side and the risk of indulging it. Treat yourself to Mr Zacek’s work. You won’t regret it.

Simon Osborne’s post-apocalyptic novel, Off Grid, begins with an alien invasion — and the aliens don’t want us around. The rest of the book is a story of survival, planning for the future, and deciding how to get rid of the aliens so we have a future. Off Grid is well-written and just plain good.

In the two works by Andy Graham that I’ve read, he gives us wonderfully dark tales. Stories that explore the unseemly part of our psyche and of our soul. An Angel Fallen is especially powerful and memorable. Do check out his work. You won’t be sorry.

Zara Altair writes mysteries set in Ostrogoth Italy a couple decades after the fall of the western Roman Empire. Argolicus is a retired Roman bureaucrat who gets involved in solving murders — in a culture where murder is not a crime! Give the Argolicus mysteries a try. Start with The Peach Widow.

Mark Carnelley has written an intriguing post-apocalyptic book, The Omega Chronicles, where only one person survives the disaster. What would you do if the survivor was you? Definitely worth your time.

John Paul Catton’s work is remarkable for its inventiveness. Tales from Beyond Tomorrow, Vol 1 is a short story collection that explores a variety of themes. A writer decidedly outside the norm. Take a read!

Now on to a few authors who are no stranger to this blog.

If you have a penchant for stories that have the qualities of a fairy tale, then Sarah Zama’s The Frozen Maze is for you. Quite good!

Jack Tyler’s work makes a strong contribution to the good old-fashioned adventure yarn. However, the book that has impressed me the most is his epic fantasy novel, The Stone Seekers. Mostly because it isn’t a Tolkien ripoff. It’s fresh and creative. The book breathes new life into a sub-genre that is filled with hack writing. Do check out The Stone Seekers.

Mannegishi by Ben Willoughby is an inventively dark take on a Native American legend. If you like horror, you’ll like Mannegishi. And all of Willoughby’s other horror tales.

It is no secret that I am very fond of the work of Crispian Thurlborn. And his latest story, Exit, does not disappoint. Thurlborn’s work is imaginative and at times difficult to categorize. It’s often darkly humorous, and written in a style that would make Dickens envious.

Exit is a story that would have made a stunning episode on The Twilight Zone. It’s a good example of dreampunk (you know, Alice in Wonderland) — and it is simply fabulous. Can we actually change our lives? Or are we doomed to live them forever on repeat? Read Exit and then try to answer those questions.

So that’s my reading recap for 2018. Now on to 2019. I’m currently reading Frank Belknap Long’s early Cthulhu Mythos novel The Horror from the Hills. And I’m looking for some good writers to explore this year. If you have suggestions, let me know.

Comments are always welcome! And until next time, happy reading!