Tuesday, January 25, 2022

Dirty Air — Book Review

 


The Razzman is back! And I’m one happy camper.


The older I get the more I find myself reaching for a private detective mystery or a horror story for my reading entertainment.


In the broad crime fiction category, cozy mysteries, thrillers, and serial killers are all the rage. The lone gumshoe, relying on observation and ratiocination, has been more or less put out to pasture.


Which is a crying shame. The murder-solving shamus has been a staple of crime fiction ever since Sherlock Holmes walked on stage and popularized the genre.


Now, Holmes never called himself a private detective. He was a consulting detective. But not too many years passed before the moniker “private” was attached to detective in order to distinguish him from the “public” variety found in the police force.


From the late 1800s through the 1950s the private sleuth was king of the mystery and crime fiction roost. But that began to change in the 1960s as thrills and spills began to be more important then good old-fashioned deductive reasoning.


Today, the thriller is hot and the amateur sleuth of the cozy has replaced the private eye.


However, if you are like me and you prefer your sleuths to be of the private gumshoe variety, then I have good news for you: Joe Congel has published a new Tony Razzolito mystery.


Razzolito, aka the Razzman, is a modern-day gumshoe. He uses information sources, observation, and deductive reasoning to get the job done. There is an air of the hardboiled detective about him, but without the nihilism or pessimism usually associated with the hardboiled detective.


Joe Congel has, in effect, contemporized the hardboiled detective — and Tony Razzolito is the result.


Dirty Air is the third novel in the series. There is also a collection of short stories that fits between books one and two and provides a transition between the events of the first and second books.


Dirty Air is set against a backdrop of NASCAR and illegal street racing. Congel deftly gives you enough of a feel for the racing world without giving you information overload.


A NASCAR driver is murdered (or is he?) And his wife hires Tony and his partner Scott to investigate his death. From that point on, there are twists and turns, thrills and spills, evidence gathering, and deductive reasoning. In other words, a rollicking good mystery.


The central crime busting trio is comprised of Tony and his partner, Scott, and their buddy, Vinnie. The characters are colorful and easy to relate to. The minor characters are also living, breathing people. All of which makes for a very fun series.


Another aspect of Congel’s writing that I appreciate is the realistic pacing. The action continues to ratchet up as the book progresses, as the plot thickens.


Dirty Air, and all of the series, are highly recommended. Check out Joe Congel’s Amazon page — you don’t want to miss this action.


Comments are always welcome. And until next time, happy reading!

Tuesday, January 18, 2022

The Joy Wagner Mysteries

 



The paranormal is hot. Even a cursory search will show that the paranormal can be found in just about every book category.


One of my favorite paranormal genres is the occult detective: a blending of the paranormal and detective fiction. And one can find plenty of detectives, new and old, who unravel mysteries that aren’t “normal”, or use methods that aren’t in your standard detective took kit.


One of the newest paranormal amateur detectives, who uses unusual means to solve murders, is Cindy Davis’s Joy Wagner.


Joy is a plucky young woman who left her wealthy home to find herself. In doing so she found a side of herself she didn’t know existed, and she also happens to find murder. Or maybe it finds her. In any case, Joy’s new found psychic abilities help her to solve murders.


As of this writing, there are two Joy Wagner mysteries, with the promise of a third. The Eighth Deadly Sin is Pizza is the first book, and the second is You’re Not the Boss of My Brain.


The books are filled with snarky humor, ghosts, auras, prophetic song lyrics, people who know things it’s not possible for them to know, and a toucan who thinks he’s a person. Oh, there are also the fabulous folk of Uncertain, Florida, which is on the shore of Lake Ambiguous.


One of the things that sets these books apart from most paranormal mysteries is that the paranormal elements aren’t bad or evil. Instead, they’re presented as normal. The paranormal is just part of our world. Anybody can tune in — if they are open to doing so.


In fact, one is more likely to encounter “monsters” in the “real” world, than in the paranormal one. Which gives these mysteries a refreshing twist.


Told from Joy’s perspective, in the first person, the storytelling puts you right there in the story with Joy. And that’s something I very much like. I love the immediacy that first person narration gives a story.


If you enjoy mysteries, if you’re a fan of good storytelling, if you are into the paranormal, then give these fabulous books a try. I think you’ll like them.


Get The Eighth Deadly Sin is Pizza on Amazon US, Amazon Canada, Amazon UK, and Amazon Australia.



Get You’re Not the Boss of My Brain on Amazon US, Amazon Canada, Amazon UK, and Amazon Australia.


Comments are always welcome. And until next time, happy reading!

Tuesday, January 11, 2022

Not For The Money


How much does an indie author make? That is a good question. And one that probably has a skewed answer.


A 2015 survey conducted by The Guardian stated that the average self-published author makes less than $1000 per year. And a third of the authors surveyed made less than $500 per year.


Even though the survey is over six years old, I’d hazard a guess the numbers are still fairly accurate because the number of authors and books in the marketplace is much greater now than it was then. So it’s possible that the figures are even worse today than six years ago.


Now there are indie authors who make big money. When I started in 2014, there were romance authors who made upwards of a couple million a year. Mark Dawson and Michael Anderle take in around a half-million a year from their books, according to the last figures I read.


But I would wager most self-published authors today make very little, if any, money. None of the ones I know are rich.


Last year I had my second best year, earnings wise, of my 7 year self-publishing adventure. I earned royalties of $274. I sold 160 books and had 15,900 Kindle Unlimited page reads.


Which I think is pretty good, considering I didn’t spend a dime on paid advertising. My production costs were also minimal. So most of that money was pure profit.


Sometime ago I received an email from an author who was crowing about his first six-figure month. He’d made $100,000. Then in a fit of honesty, said he’d spent $80,000 in advertising to get that $100K. 


In other words, he wasn’t a six-figure author. He was a low five-figure author. Beware of the numbers when the writing gurus speaketh.


And if you factor in production costs (cover, editor, etc), that author probably made less than $20K. 


Which is why I made note at the beginning of this post that the numbers are probably skewed when authors talk about what they make from their writing. Especially the ones selling courses, because they need to impress you with their success in order to take your money and feed your dreams of success.


Not that you can’t be monetarily successful. You can. It just takes a lot of money and a lot of time. And a wee bit of luck. 


Of course you can hire someone else to do your marketing. Which will take even more of your money.


Given the constant barrage of success stories that we authors hear, and then looking at our own often “pitiful” results, the question begs to be asked — is it worth it? Is it worth all the time and effort expended to end up making a couple hundred bucks?


I can only speak for myself. And for me, the answer is yes. YES!


Very simply, I’m doing something that I love and I’ve gathered an audience over the past 7 years. Not a large audience to be sure, but an audience nevertheless. And that is a very good feeling. There are people out there who like what I write.


Back some 15 to 20 years ago when I was writing poetry and getting it published in ezines and magazines — I got paid exactly nothing. Nothing!


In fact, everybody got paid nothing. Money was a non-factor. The late Jane Reichhold once told me that even poets who were being published by the big poetry publishers made very little, if any, money. Certainly nothing they could live on. 


Her recommendation to me was to hang on to the day job and just write. Or get a degree and go into academia so I had a day job and university support to get more poetry published.


In the world of poetry, success has to be defined in a way that doesn’t include the dollar. Because there is no money in poetry. Poets don’t write for money. They write because of some other motivation.


I’ve carried that mindset over into my fiction writing. Success does NOT have to be measured in terms of dollar bills.


So why do we fiction writers think our worth or success has to be measured in currency? When most writers have not and cannot support themselves with their writing? I find the attitude somewhat puzzling.


Oh, I know we fictioneers look to all those who’ve made a living from their pen and we want to do the same. Funny thing, though, is that we never look at the many more who never could make a living from their pens. Those writers get lost in the myth of making money from books.


Throughout history, most writers did not make money from their pens. Throughout most of history writers tended to be men of leisure. That is, they had a means of support apart from their pens.


Only in the 1800s did it become possible for a person to make a living from writing, and especially writing fiction.


Even so, the number of people deluging publishers with their manuscripts was far greater than the number of writers the publishers published. And that has always been the case with traditional publishing. Many submit, but few are chosen.


Today, anybody can publish anything. Thanks to the indie revolution. And that kind of democracy, I think, is a good thing.


There are over 7 million books on Amazon and the number grows daily by over 3,000 new books. The chance of getting your book seen is next to zero. Even with paid advertising, Amazon won’t show your ad if no one buys your book.


Let’s face facts. The book market is glutted as it never was in the past. There are simply too many books and too few readers.


Having come to this realization, I am very pleased that I have my small fiction audience. In addition, my blog gets between 200 and 250 visitors each month. Not a lot, but it is more than nothing.


I will continue to build my mailing list as I look for my 1000 true fans.


I’m retired. I don’t need to make a living from my writing. I have an income. And I dare say, most people who want to be writers also have an income. They don’t need to be full-time writers to make a living. They can be part-time writers for the fun of it.


Very few of us are in the position of Louisa May Alcott who had to make a living from writing because her father was a dreamer and a wastrel and didn’t provide for his family. She turned to writing in order to put food on the table and pay the rent. She took over the breadwinning role using her pen, because it was one of the very few channels open to women by which the possibility existed to make significant money.


Most of us are like Edgar Rice Burroughs and Earl Stanley Gardner. We don’t like our jobs and want to do something else. And we think writing is an easy way to make money.


The fact of the matter is that writing is easy. However, writing well is not.


I write not for the money, but for the sheer love of writing. It’s the love that keeps me going. It’s the obligation to my audience, small though it is, to give them stories they want to read. To entertain them. To not disappoint them. In a sense, it’s not about me — it’s about them.


So all you writers out there, I urge you to write for the love of it. Write for those who want to read your stories, no matter how few they be. It’s not about the money. It’s about doing something that adds value to your life and the lives of your readers.


Comments are always welcome. And until next time, happy reading!

Tuesday, January 4, 2022

Good Storytelling in 2021



2021 — it was a good year for reading. I got reacquainted with old friends and met a number of new ones.


All told, I read 110 works of fiction and non-fiction. The breakdown is:


44 novels/novellas

54 novelettes/short stories

 6  screenplays

 6  non-fiction


Of those 110 works, 43 were by indie authors. Which makes for 39%.


Eleven storytellers stood out above the rest. Below is a brief explanation of their outstanding merits.


Matthew Cormack


The Piranha Pandemic: From Small Acorns is Cormack’s third book chronicling the events of the Piranha Pandemic. The first two are Don’t Dream It’s Over and Ganbaru.


Cormack’s strengths as a storyteller are his realistic post-apocalyptic worldbuilding, and his vividly realistic characters. 


James Patterson once said about himself that he was a lousy writer, but a good storyteller. 


Mr Cormack is both a good writer and a good storyteller. Quite honestly, there are few writers who can touch him. He’s that good.


James Vincett


Vincett is one of the very few writers who can give Matthew Cormack a run for his money. 


Vincett’s storytelling transports us to highly imaginative worlds. He puts us into exciting space operas that we don’t want to leave.


As of now, he has 3 series going: the Hominim Union, the Independencies, and the Far Frontiers. The books in all three are fabulous. Take a look at his Amazon page.


Suffice it to say, I’ve bought and read all his books and will buy anything he publishes in the future because he knows how to tell a great story. And I love a great story, with memorable characters.


Neil Mosspark


Mr Mosspark burst on the scene a couple years ago and then vanished. Which is a shame. He’s an engaging writer. An imaginative writer. He has, though, left a number of works on Amazon — which is good for us. I recommend you get them.


His Sand Fall Trilogy is survival science fiction. Crash landed on a desert planet, can a ragtag group of humans survive when everything is against them? Very much worth your money and time to read. Pick it up on Amazon.


John F Leonard


John F Leonard tells horror stories which are subtle in nature. The spookiness and the terror hit you after the fact.


Call Drops involves a phone that works, but shouldn’t. The story is about choices and consequences. The ending will get you.


A Plague of Pages explores ownership and vengeance. Hold onto your socks.


Mr Leonard tells good stories. I look forward to reading more of his work in 2022. Pick up his books on Amazon and let them give you goosebumps.


Andy Graham


Andy Graham writes atmospheric horror. His prose is literary. And his stuff is so scary I have to be in the right frame of mind to read it.


His book A Demon Risen is terrifying. Plain and simple. It’s also the third or fourth book of his that I’ve read. And every one is terrifying. Get them at Amazon.


Just remember: his books are best read while the sun is shining.


Terry Newman


A number of years ago I read Detective Strongoak and the Case of the Dead Elf. It was a magical blend of humor, hardboiled detective fiction, and fantasy. And I loved it.


Nicely Strongoak is a dwarf. He’s also a detective and a shield for hire. And he’s one of the most fascinating characters I’ve come across in a long time. Sam Spade meet Terry Pratchett.


Last year I read The King of Elfland’s Little Sister and Dwarf Girls Don’t Dance, the latest books in the Nicely Strongoak series, and was not disappointed.


The books are hilarious, suspenseful, and engaging murder mysteries. All set in a highly imaginative fantasy world. Get over to Amazon for some super great fun.


Lisette Brodey


I’ve read 3 books by Ms Brodey, the latest being The Waiting House; which is a fine example of literary fiction blended with magical realism, humor, and a bit of fantasy.


Ms Brodey’s storytelling is characterized by the vivid and memorable characters that she tells us about. And it’s what keeps me coming back to her fiction. After all, characters are the thing. Pick up a copy of The Waiting House on Amazon.


Garrett Dennis


Port Starbird is my kind of murder mystery. The book is laid-back, cerebral, touched with humor, transports you to the world of the detective, and introduces you to a whole lot of new friends.


I was only partway through Port Starbird, the first of the Storm Ketchum mysteries, when I fell in love with the world Mr Dennis had created and bought all the books. I’m looking forward to reading more of Storm Ketchum’s world this year. And you can get in on his adventure’s via Amazon.


KD McNiven


Ms McNiven writes fast-paced action adventures. One of her most fascinating characters is Detective Brock Scanlin. He’s a hard as nails police detective, yet he’s human. All too human. And that’s what makes Blood Alley and Blood Pool so good. Climb aboard the Brock Scanlin roller coaster today.


Richard Schwindt


Richard Schwindt is no stranger to this blog. I’d buy his grocery list, his writing is that good.


In The Death of Brenda Martin he has tied together all of his various fictional worlds. Quite a feat.


Schwindt is an artist who gives us a world we can see, touch, smell, taste, and feel. He blends mystery, monsters, and real life problems with panache. Enter his world. You won’t regret it.


Caleb Pirtle III


Caleb Pirtle has been writing and telling stories his entire life — and it shows. His fingers dance across the keyboard with the grace and power of a Baryshnikov.


What is undoubtedly the most powerful novel I read in 2021 came from his genius: Last Deadly Lie. The book is a tale of lies, lust, deceit, power, and destruction.


The setting is a church community. But this is not a religious novel. It’s the story of people. People who crave power and control and what they will do to get it and exercise it — no matter the setting, no matter the cost. It’s a tale of lust and secrets and the lies that are told to mask a person’s true intentions.


Last Deadly Lie. A powerhouse of a novel. One you will not forget. Get it from Amazon if you dare.



That’s my cream of the crop for 2021. I’m eager to see what delights 2022 with reveal.


Comments are always welcome. And until next time, happy reading!